I have started singing in choirs as an adult in 1994 and have not stopped since. Having moved from Bordeaux to Paris to Wye (UK), to Ho Chi Minh City back to Paris and on to Bangkok, I have been lucky always to find a choir to sing in.
As soon as I had come back to Paris last February, I joined my former choir again: the Choeur Varenne. It is a relatively large group of 60 to 80 people, depending on the production. The bass section has a particularly beautiful round sound and with some work, the sopranos can sound really fine. The main reason why I went back to this group was that the group of singers is made of exceptionally friendly people. Every season, we have one or two week end-long rehearsals where we work hard on the pieces for the concert. But we all also bring food and drink to share pot luck. With 70 people bringing food and drink, we end up with an aperitif, salads as starters, a whole selection of quiches, a complete cheese platter and a choice of scrumptious cakes to sample. We have had two of these pot-luck meals already, each time I planned to take a photo for this blog, but each time I completely forgot because once all the food was set, we all went into aperitif mode, started drinking, nibbling and talking. So you get a blurred photo of the latest concert instead.
With all this, the conductor Caroline de Beaudrap is also great. I particularly appreciate the fact that she will stop us immediately when she is not satisfied by something. This allows us to try to improve the sound immediately after having done the mistake, and hear and feel the difference: greater learning efficiency, I believe. Caroline is skilled at getting the best out of this group of mainly amateur singers.
The last concert sounded great: Mendelssohn motets with organ accompaniment at the church of La Trinité in Paris with very good resounding acoustics. One disappointment though: I could not sing with the choir at this concert because I had just come back from duty travel. Having missed the dress rehearsal and the first concert in the church, I fully understood that Caroline asked me not to sing this production. So I checked tickets at the gate instead…
I do look forward to our next season: the complete Haendel Messiah with orchestra, to be sung end of March 2011. By the way, we are recruiting. To learn more on how you could join us, contact our conductor Caroline at email@example.com.
Charles Trenet, 20 chansons d'or, EMI France